Monday, January 2, 2012

Grimdark's (maybe?) death rattle?

Over the last several weeks, I've noticed that Joe Abercrombie's newest book The Heroes has taken a bit of a drubbing. There was also something of a conflagration over on the Westeros forums about just what exactly constituted going to far. This constitutes something of an about face from the previous two years. Abercrombie, Bakker, Morgan and Mievelle seemed to get a pass consistently. Are the mighty morphin' Moorcock rangers about to meet their match? As the economies of the world begin to splutter back to life and things maybe start to get better in this new year filled with possibility.. will people continue to seek out the cynical, grim darkness of a future which knows only turmoil or will they instead begin to gravitate towards new authors who specifically state they reject that view such as Michael J. Sullivan? Is it time perhaps for a new David Eddings or Terry Brooks to find their place in the crowded world of literature?

The one author who seemed to have never been allowed to get away with the grimdark concept, Terry Goodkind, released a new Richard and Kahlan novel last year. His series moved into the Grimdark genre some where around the 4th or 5th volume. Though on one hand, His work might even be worse than some of the others mentioned above. They have morally shady people doing morally shady things. Goodkind had people who were for all intents and purposes morally upstanding people doing abominable things to their political enemies for no other reason than not being interested in changing philosophies. Goodkind's books basically called for a great Objectivist crusade against the forces of the Left, with no quarter offered or given. From what I can see from the local Barnes & Noble it did about as well as his last couple. The dedicated bought it, everyone else ignored it and will pick it up cheap on the discount table in a few months. It didn't move the same way Dance with Dragons or Wise Man's Fear moved. It's a shame because I think he's the sort of author who never catches on that if he were to focus on his, to me anyway, amazingly unique magic system, rather than on the political foibles of his characters.. He could be a much greater author.

None of these authors were really doing anything differently than Scot Siecin has been doing for years. Gussying up an only Okay story with buckets of blood and gore and sex. I'm curious to see if the Avatar Trilogy he wrote for Forgotten Realms will follow the same pattern of his later books, or if he degraded over time. I'm looking forward to that series with some trepidation. It covers the monumentally important "Time of Troubles" in the realms, but is also written by an author who I don't much care for.

Speaking of Forgotten Realms, I suppose I really have to thank Mark Barrowcliffe for igniting a love of those books. Since my review of his book "The Elfish Gene" and him so thoughtfully stepping by to ask me to give it another look, I've read more of them in a single year than I had in my entire Life. I suppose it was initially out of spite, but now I just find myself enjoying reading stories about totally disparate groups of people in a familiar landscape. The books vary in quality dramatically, Kate Novak and Ed Greenwood's I don't care for that much. They are over written, meandering, and feel to much like some one wrote them from notes from a game they were running. Doug Niles and R.A. Salvatore however write books that were great fun.

Back to the Grim Dark Future, Games Workshop has themselves slipped farther into position as undisputed evil overlord of the miniatures market. They've decided to cease production on all of their Metal miniatures, opting instead to replace them with new Resin ones. Which are ludicrously more expensive, and are also as always, being released on a staggered market. It made my plans of trying to build a night goblin army untenable. I went and looked at 40k instead, and low and behold even the squeaky clean Tau are now beginning to look a bit tarnished. I suppose though with the emergence of all the new Necron forces anyone could be forgiven for getting a bit more hardcore. The upswing of this new villainy on the other hand is that it is finally encouraging some of the smaller up and coming miniatures companies to produce compatible kits, some of which are extremely nice.

I suppose we will see how 2012 goes in the days, weeks and months ahead. It will either be better, the same, or worse than last year. Or maybe a combination of the three. But I definitely think that there is a bit more optimism on offer than the last 3 had on tap.

Monday, December 26, 2011

150/150 + extras

While I still have two books in progress, I've managed to meet my goal of reading 150 books in 2011.

Here is a link to the first 114 I read, I posted this back in September.

115. Hamlet's Mill by Georgio De Santillana
116. Seige of Darkness by R.A. Salvatore (Drizzt #9)
117. The Underground History of American Education by John Taylor Gatto
118. Passage to Dawn by R.A. Salvatore (Drizzt #10)
119. Himmler's Crusade by Christopher Hale
120. Spellsinger by Alan Dean Foster (Spellsinger #1)
121. A Portrait of the Artist as a young man by James Joyce
122. The Last Lion: Visions of Glory by William Manchester
123. The Hour of the Gate by Alan Dean Foster (Spellsinger #2)
124. The Birth of Tragedy by Friedrich Nietzsche
125. Dictionary of Accepted Ideas by Gustav Flaubert
126. The Day of the Dissonance by Alan Dean Foster (Spellsinger #3)
127. Memoirs of a Medieval Woman by Louise Collis
128. The Moment of the Magician by Alan Dean Foster (Spellsinger #4)
129. The Monkeywrench Gang by Edward Abbey
130. The Paths of Perambulator by Alan Dean Foster (Spellsinger #5)
131. The Hiram Key by Christopher Knight
132. The Time of Transferance by Alan Dean Foster (Spellsinger #6)
133. Walden by Henry David Thoreau
134. Spellfire by Ed Greenwood (Shrandril #1)
135. A History of Christianity by Paul Johnson
136. Pawn of Prophecy by David Eddings (Belgariad #1)
137. Introduction to African Religions by John S. Mbiti
138. The Weirdstone of Brisingamen by Alan Garner (Alderly #1)
139. Azure bonds by Kate Novak and Jeff Grubb (Finders Stone #1)
140. Queen of Sorcery by David Eddings (Belgariad #2)
141. The Eye of Argon by Jim Theis
142. Wellington, Years of the Sword by E. Longford
143. The Curious Incident of the Dog in the Night-time by Mark Haddon
144. A Long Way Down by Nick Hornby
145. The Hipster Handbook by Robert Lanham
146. Magician's Gambit by David Eddings (Belgariad #3)
147. The Wyvern's Spur by Kate Novak and Jeff Grubb (Finders Stone #2)
148. Juliet, Naked by Nick Hornby
149. Jesus's Son by Denis Johnson
150. The last Lion: Churchill, Alone by William Manchester
151. Castle of Wizardry by David Eddings (Belgariad #4)
152. Enchanter's End Game by David Eddings (Belgariad #5) In progress
153. The Moon of Gomrath by Alan Garner (Alderly #2) In progress
154. Song of the Saurials by Kate Novak and Jeff Grubb (Finders Stone #3) In progress

Saturday, December 24, 2011

Dealing with the low rolls.

In my pathfinder group, the DM and one of the players are uncle and nephew. They make up a lot of the soul of the group. They also go with me to LARP. I've known the older of the pair since High school. He's been through all the iterations of D&D with me. 3.0, 3.5. 4.0, Pathfinder. He's been with me in Warhammer since 5th edition and Warhammer 40k since 3rd edition. We've played Munchkin and Kobold's ate my baby. His nephew has been something of a fixture with us since he hit twelve. We knew how bad it sucked to be a nerd in a hick town, so we always took extra effort to include him. I've helped them both every chance I got.

Well today I was left with no way to help them. The cosmic DM rolled low. Their Brother/Father respectively died today during routine surgery. A Dislodged blood clot. 1. No chance of a saving throw.

Maybe it seems callous to parse this all in gamer terminology. But these two, a young man and a boy on the cusp of becoming a man have been such a big part of my life, and have been there during every experimental game and late night Anime session I've pretty much ever embarked upon.

I hate feeling sorry for myself. But I hate the feeling of powerlessness that comes with that dreaded phone call. I hate not being able to make them better. I hate seeing my friends upset. They are supposed to be jovial and full of quirk and witty nerd banter. Not crying in the hallway of the hospital. Not trying to figure out how to move on when a single father of 3 teenagers has just died. unprepared. unexpected. leaving his 19 year old son to take care of his 17 and 14 year old sisters, a house, a car, property taxes, all while he is still in high school. What kind of sick cosmic joke is it that this happened on Christmas Eve? You listen as they cry and moan and sob, you hug them and try to reassure them. You sputter, you inanely ask if there is anything you can do, and you probably, ridiculously say you're sorry. as if you did it and could take it back with a word.

Saturday, December 17, 2011

I've got myself a Plan!

Normally I would write myself a complete syllabus for the year in what I hoped to accomplish. It generally would have about 100 books on it, and would include things like "Write a review of X Number of words" or something like that. I had to do it the last two years to try and keep up with some semblance of a reading pace for Hyborean Apocrypha. That's unfortunately been set aside due to having real syllabii to adhere to via school.

I still intend to plan out a few key series to go after in 2012, Michael J. Sullivan's Rirya books and Stephen Erickson's Malazan books are probably my top goal to read through in the new year. I'm also hoping to fill in a few more gaps in my classic Fantasy and Science-Fantasy reading in the form of Andre Norton's Witchworld and Phillip Jose Farmer's World of Tiers. Eventually my goal is to read everything on the D&D Appendix N list.

Anderson, Poul: THREE HEARTS AND THREE LIONS; THE HIGH CRUSADE; THE BROKEN
SWORD

Bellairs, John: THE FACE IN THE FROST
Brackett, Leigh
Brown, Frederic
Burroughs, Edgar Rice: "Pellucidar" series; Mars series; Venus series
Carter, Lin: "World's End" series
de Camp, L. Sprague: LEST DARKNESS FALL; THE FALLIBLE FIEND; et al
de Camp & Pratt: "Harold Shea" series; THE CARNELIAN CUBE
Derleth, August
Dunsany, Lord

Farmer, P. J.: "The World of the Tiers" series; et al
Fox, Gardner: "Kothar" series; "Kyrik" series; et al
Howard, R. E.: "Conan" series
Lanier, Sterling: HIERO'S JOURNEY
Leiber, Fritz: "Fafhrd & Gray Mouser" series; et al
Lovecraft, H. P.
Merritt, A.: CREEP, SHADOW, CREEP; MOON POOL; DWELLERS IN THE MIRAGE; et al
Moorcock, Michael: STORMBRINGER; STEALER OF SOULS; "Hawkmoon" series (esp. the
first three books)
Norton, Andre
Offutt, Andrew J.: editor of SWORDS AGAINST DARKNESS III
Pratt, Fletcher: BLUE STAR; et al
Saberhagen, Fred: CHANGELING EARTH; et al
St. Clair, Margaret: THE SHADOW PEOPLE; SIGN OF THE LABRYS
Tolkien, J. R. R.: THE HOBBIT; "Ring trilogy"
Vance, Jack: THE EYES OF THE OVERWORLD; THE DYING EARTH; et al
Weinbaum, Stanley
Wellman, Manley Wade
Williamson, Jack
Zelazny, Roger: JACK OF SHADOWS; "Amber" series; et al

The ones in Bold I've read, and the ones not in bold I haven't. So I'm going to see how many more of them I can read through.

Other than that, with another English Class and a History class this semester.. who knows what I'll be reading for them?

Friday, December 16, 2011

GIJOE Retallition Trailer.

I HATED the abomination that was GIJOE: Rise of Cobra. Every aspect of it was wrong. The casting was wrong. The Look was wrong. Everything about it was wrong. I'm not talking about making them an international team, I never had a problem with that. What I had a problem with was the way they ignored nearly 30 years of backstory. They made it into a dodgy sci-fi B movie and let Steven Sommers include all the dopey elements that make all of his other movies so obnoxious. They even let him include Brendan Fraser. No chance at all was given to Joseph Gordon Levitt to show us just how awesome he is as an actor in his portrayal of Cobra Commander. Heck, we didn't even get to see much of Cobra Commander. It was like watching a Live Action DIC episode.


In the new Trailer, which I will link to at the bottom, they waste little time in establishing that this isn't going to be the second movie warmed over. They liquidate the team with extreme prejudice. Leaving only three members of the original cast remaining to taint the new movie. Cobra Commander has his blue jumpsuit and metal face mask which makes him so Iconic. Roadblock actually uses the Ma Deuce for which he is famous. Essentially.. this is what GIJOE should have looked like the first time. Gone are the super suits and the Eiffel Tower being eaten by nanomites. Gone is the ridiculous glass bubble head that Cobra Commander wore.

I love the visual of the Cobra Banners being unfurled on the front of the White House. The Idea of Cobra being a organization set on world domination was something postulated by the Cartoon. In the comics, it was the United States which Cobra had its primary issue with. The United States slighted the man who would go on to become Cobra Commander. A Used Car Salesmen who identified with Jon Galt a bit too much, but decided instead of pouring his efforts into inventing miraculous new products he would gain his empire through theft, graft, con jobs and murder. Despite what Joseph Gordon Levitt says, and the cast sheet says. Cobra Commander is clearly in this trailer. Who is playing him and what role he will be playing no one knows yet. But It's unlikely that the confirmed villains of the picture, Fire Fly, Zartan and Storm Shadow, Three men who have a long and extremely checkered past.. would be interested in taking over the United States without the instigation of Cobra Commander.

I have hope for this movie, not as much as I would have had if they had completely re-booted the franchise.. But It looks better than the two Transformers Sequels anyway.

Thursday, December 15, 2011

The Skrillex Condundrum and Other Stories.

A new fad is sweeping America. It is called Skrillex. The stage name of a slight music producer who formerly fronted an Emo band. He has finally succeeded in a massive way of introducing Garage and Dub step to the American consumer. He is an enormous hit. Even selling out shows in my tiny college town. I can't even imagine how he has accomplished this.

I first became aware of Garage and Dub-step when I was in the UK over 6 years ago. It was nothing special at the time, simply a style of music which a certain portion of the population listened to. It was dance music. it was music you blasted out of your 10,000$ system from the back of a 8000$ Peugeot while it was idling in a parking deck.

Needless to say I was not able to get tickets to see the Skrillex Cell when they perform in Athens at the newly rebuilt Georgia Theater. It's something I truly regret missing out on. I'm not sure why I like his sound quite so much as I do, but it motivates me when plenty of other noise doesn't do anything but put me to sleep.

At the complete opposite end of the spectrum are a trio of outfits that I've been listening to a lot this year is John T. Pearson. He fills his folksy-country songs with pain I couldn't imagine even if I were into cutting. His music reaches into your very soul and tugs at strings and ligaments you were not aware you possessed. Following in the footsteps of Bon Iver he brings even more feeling and emotion to his even lengthier songs. No stadium filling noise here, but simple and heartfelt lyrics which cut like paper and sting like lemon every time.

Between Bon Iver and Josh T. Pearson I have nearly had to go back to taking my anti-psychotics. All the delusions I built to protect myself from the world are stripped back by their bluesy riffs and soulful vocals. Following current trends in my life, I can't help but find the lyrics of these neo-folk acts important. Thankfully Florence & The machine are there to give me a bit of upbeat when I get depressed. Her driving vocals and outrageous costumes (including a reference to Clan of the Cave Bear) help inoculate me to the pain of the other groups.

Whether you enjoy or hate these bands is some what immaterial to me. I'm a firm believer in the idea that whatever you are feeling at the time you first hear a song is as important as the ideas behind the song itself. After all, who really cares what the creator thinks.. You are the important and active participant in the process. The creator of the song has long since finished their portion of the social contract in the process of recording the music. You however, the listener, are the active party.

Skrillex.


Josh T. Pearson.


Bon Iver.


Florence & The Machine.